Tuesday, July 31, 2007

Crooked Little Vein Review

This should appear in the next issue of the University of Windsor Lance:

Crooked Little Vein
By: Warren Ellis
William Morrow
280 pgs., $27.95

Crooked Little Vein begins with the best line you’ll read this year: “I opened my eyes to see the rat taking a piss in my coffee mug.” It’s brash, aggressive and practically dares you not to keep on reading.

Crooked Little Vein is famed comic book writer Warren Ellis’ long-awaited first novel and it falls in line with his comic work like Transmetropolitan, Fell and Desolation Jones. The novel begins with private detective Michael McGill waking up in his office (where he now lives) to find the president’s heroin-shooting chief of staff wants to hire him to find the Secret Constitution of the United States, which Richard Nixon traded for sexual favours in the 1950s.

This case launches McGill on a cross-country search where he encounters “people who want to fuck Godzilla,” men who like to inject salt water into their testicles and rich lawyers who host orgies with teenage virgins and then bet on which will end up with HIV.

Oh, this book may not be appropriate for more sensitive readers. Just so you know.

Accompanying McGill on his journey is Trix, a grad student doing her thesis on extremes of self-inflicted human experience. She is McGill’s guide into this so-called sexual underground and also becomes his girlfriend, sort of.

While extreme in some parts, McGill shares the presumed sensibilities of the reader and is as freaked out by almost everything he encounters. However, Ellis is careful not to take sides himself, giving opposing views equal time and equal weight. While some may think it’s weird and perverted to masturbate to giant rubber lizards that doesn’t make it so.

The entire search becomes a question of what is mainstream America anymore. Are these people sick freaks or are they normal? Why is a TV show with only a few million viewers considered mainstream while internet sites, which can reach everyone in the world considered the fringe? McGill is asked this again and again without any way to answer.

The Secret Constitution raises the stakes as the White House wants to use it to restore “morality” to America, bringing it back to the sensibilities of the 1950s before gay marriage and pop stars who dress like porn stars and, well, everything the supposed mainstream hates. For someone like Trix, the concept is horrifying, but McGill is torn between finishing the job and what he possibly thinks is right.

Ellis’ style is brisk and very, very funny. He creates a diverse cast of characters, all realistic in their various insanities and never seems to judge. He leaves all judgements to the characters, including McGill, our narrator. The use of first-person narration is a smart choice because it creates an easier access point for readers, especially those not used to this type of material.

One of Ellis’ best techniques is using short chapters for comedic purposes, like chapter three:

“An hour later, I walked into some freak bar on Bleecker Street and yelled, ‘I’m buying a hundred drinks--for me!’

“Oh, they beat the shit out of me.”

That’s the entire chapter, but its length adds to the humour and breaks up the action well. Ellis is smart to only do this once in a while, so it never gets overused.

Crooked Little Vein manages to take the Chandler-esque private detective and update him for the twenty-first century in this weird trip through the America you didn’t know existed. It’s a fantastic debut for Warren Ellis and one of the most entertaining book you’ll read this year.

Monday, July 30, 2007

Magic Eight Ball Mondays: "Well, fuck."

Another week, another Q&A session with the magic eight ball. Before I get started, just a reminder that you can still pledge money for my blogging 24 hours this past Saturday/Sunday until tomorrow night at 11:59 pm EST by clicking the sheep on the right. The money goes to the Alzheimer Society of Canada. And there's also an index of all of my Blogathon posts below. Lots of stuff about Joe Casey-written comics. And Led Zeppelin.

Now, let's get on with this . . .

Me: Hey, magic eight ball. Ready to answer some questions about DC's Countdown?

8: My Sources Say No

Me: Well, fuck.

I guess I'll have to try again next week. Damn magic eight ball.

By the way, if you have any yes/no questions for the magic eight ball, just submit them via comments or e-mail us.

Sunday, July 29, 2007

Blogathon 2007 Archive Post

Well, went to sleep at nine, woke up at 2:30, which is decent. I wanted to wake up mid-afternoon so my sleep schedule doesn't get too fucked up.

So, was that fun or was that fun?

Here is a collection of links of all the posts:

Blogathon 01: Good God, The Sun Rises In The East?
Blogathon 02: Mr. Majestic #1
Blogathon 03: Mr. Majestic #2
Blogathon 04: Mr. Majestic #3
Blogathon 05: Mr. Majestic #4
Blogathon 06: Mr. Majestic #5
Blogathon 07: Mr. Majestic #6
Blogathon 08: And now for a word from our sponsors
Blogathon 09: Mr. Majestic #7
Blogathon 10: Mr. Majestic #8
Blogathon 11: Mr. Majestic #9
Blogathon 12: Oh to be at Comic-Con now that summer is here
Blogathon 13: Uncanny X-Men #394
Blogathon 14: Uncanny X-Men #395
Blogathon 15: Uncanny X-Men #396
Blogathon 16: Uncanny X-Men #397
Blogathon 17: Uncanny X-Men #398
Blogathon 18: Uncanny X-Men #399
Blogathon 19: Uncanny X-Men #400
Blogathon 20: A Picture is Worth a Thousand Words
Blogathon 21: Uncanny X-Men #401
Blogathon 22: Uncanny X-Men #402
Blogathon 23: Uncanny X-Men #403
Blogathon 24: Uncanny X-Men #404
Blogathon 25: Uncanny X-Men #405
Blogathon 26: Uncanny X-Men #406
Blogathon 27: Uncanny X-Men #407
Blogathon 28: Uncanny X-Men Annual 2001
Blogathon 29: Uncanny X-Men #408
Blogathon 30: Uncanny X-Men #409
Blogathon 31: Magic Eight Ball Midnights Part One
Blogathon 32: Magic Eight Ball Midnights Part Two
Blogathon 33: Adventures of Superman #612
Blogathon 34: Adventures of Superman #613
Blogathon 35: Adventures of Superman #614
Blogathon 36: Adventures of Superman #615
Blogathon 37: Adventures of Superman #616
Blogathon 38: Adventures of Superman #617
Blogathon 39: Adventures of Superman #618
Blogathon 40: Adventures of Superman #619
Blogathon 41: Adventures of Superman #620
Blogathon 42: Adventures of Superman #621
Blogathon 43: Adventures of Superman #622
Blogathon 44: Adventures of Superman #623
Blogathon 45: Three Joe Casey Books
Blogathon 46: Writing v. Brainstorming
Blogathon 47: All-Nighters
Blogathon 48: Three Joe Casey Books Part Two
Blogathon 49: "So goodnight, Hollywood Blvd., goodnight"

And remember, you can still pledge. Click on the sheep, all money goes to the Alzheimer Society of Canada.

Blogathon 49: "So goodnight, Hollywood Blvd., goodnight"

Well, that does it. 24 hours, 49 posts and a shitload of comics. It's been fun. Thanks again for people's support.

I'd like to remind you that you can still pledge money by clicking on the sheep to your right up until 11:59 pm EST Tuesday night. The pledges go to the Alzheimer Society of Canada, which is a good cause.

It was a fun time. I'm pretty tired now.



This concludes our broadcast day. You don't have to go home, but you can't stay here.

Blogathon 48: Three Joe Casey Books Part Two

I've always been the type of person who follows a writer, not an artist. But, I wonder, were the Mr. Majestic and Adventures of Superman runs better because of the art? Ed McGuinness followed by Eric Cante and Toby Cypress on the former, Derec Aucoin and Charlie Adlard on the latter. Uncanny X-Men, on the other hand, had Ian Churchill, Sean Phillips, Ashley Wood, and a bunch of other people. Would it have been a better comic with a single artistic vision?

Or what of the use of narration? In both Mr. Majestic and Adventures of Superman narrative captions are used, while not in Uncanny X-Men. Did that have an impact? Or storylines? At the time of Uncanny's release, Marvel was shifting to storyarc-based books, "writing for the trade" as it were, while the other two books tended towards shorter, more self-contained stories. Even the five-issue art in Superman was three mostly self-contained issues and then a two-parter. Every other story either a single issue or two-parter.

I really do wonder if editorial was at fault for Uncanny X-Men just because the general quality level is SO much lower than what Casey usually produces. I mean, what are the odds that his one really shitty book is an X-book and the X-offices were known for editorial bullshit that fucked up stories, but not this time?

Some day, I may do a more extensive and cohesive piece on Uncanny X-Men, because I think it's interesting. A look at Superman as a pacifist could work, too.

Just so you know, I read nearly every comic I discussed ahead of time, from Wednesday onward. The last three Adventures of Superman issues were read tonight before I wrote about them. I never wrote anything in advance, maybe pondered a little, but even that's stretching it. Mostly, I came in without much thought and just wrote what came to me.

See you in 30 for the end.

Blogathon 47: All-Nighters

Ah, the final hour. I've stayed up all night a few times. At least twice because I was writing papers for school.

I remember doing that in second year. I think it was a poli-sci paper (I did a combined honors BA in English and poli-sci--and yeah, I always say the full thing because it's much more impressive that way). I had a 9:00 political theory class and then Canadian literature at 11:00. The poli-sci class was only an hour and I nearly fell asleep in it. The Can lit one was an hour-and-a-half and I nearly fell asleep in it. I've never actually fallen asleep in class.

I came close in first year when I had a bad cold, so I bought some medication and failed to notice the "may cause drowsiness" warning. Sure, it doesn't help my cold symptoms but it nearly knocks me out cold. Typical.

One thing I've found when I stay all night is that at the 36-hour mark, I throw up. Now, I have no intention of staying up that long this time. After that 9 am post, I'm going to bed. I was up at 8:30 yesterday morning, so that's only a bit over 24 hours. Not even close to throw up time.

When I did all-nighters for papers I drank juice boxes a lot. I wish I'd thought to get some for this. Some nice fruit punch could do me nicely right about now.

I find it funny how the tiredness comes in waves. There are half-hours where you could fall down and be unconscious before hitting the floor that are then followed by total and complete alertness.

Last summer, I ended up doing an all-nighter simply because I wouldn't fall asleep. That really sucked. I mean, what the fuck was that all about? It was the summer, I had no worries or anything.

Oh god, I could fall asleep right now. Knowing my luck, when nine hits, I'll be wide awake. My body hates me. It and the magic eight ball. Bastards.

Blogathon 46: Writing v. Brainstorming

To keep me awake, I've stuck Big Shiny Tunes 2 in the discman. Details can be found here.

Last week, I spent way too much time listening to all five parts of the most recent Bendis Tapes podcast from Word Balloon and sometime during the whole thing I realised what's wrong with comics and creators promoting upcoming projects: all the creators know are the ideas.

The creators go to these retreats and think up all sorts of cool shit and get pumped, and then the comics come out and people go "Well, shit, dude, that sucks" and everyone is baffled when the answer is simple:

COMING UP WITH IDEAS IS NOT WRITING.

And this is the point where everyone goes "No shit," but it has to be said. Any writer worth anything will tell you that ideas are nothing, but that's what is constantly being hyped in comics: ideas, not writing. We hear about these upcoming storylines that are going to blow our minds, except they're not actually written yet, so how do you know?

Look at Civil War: fantastic ideas, shit execution. I'm serious, the writing on that mini-series was some of the worst garbage I've ever seen. And if you want to know why, go read Tom Brevoort's blog post of Millar's initial ideas. He doesn't construct a story, he lines up a bunch of fanboy orgasm moments, which Millar admits is his strategy. Now, that is one way to write a story--a really shitty way to write a story. And yeah, the book sold huge, but try reading it as a complete story. I did that and THAT IS SOMETHING I CAN NEVER FORGET! "You can't unread what you've read!"

That's why I don't believe any hype at this point. You haven't seen a script? Your opinion is worthless. Cool ideas don't make a good comic and I wish creators would stop talking to us like they thought they do. And, honestly, anyone who places the idea above the actual writing? Hack. Total fucking hack. It's not too hard to spot them, either. Sadly, they tend to sell a lot of books when all people need to realise is that if all that's there is ideas, you can get just as much enjoyment from reading a message board post the day after it's released. Which is one of the reason why Civil War is so horrible to read: once you know the fanboy orgasm moments, there's nothing there. The wad is blown.

Blogathon 45: Three Joe Casey Books

Okay, so I looked at Mr. Majestic #1-9, Uncanny X-Men #394-409 (including the 2001 annual) and Adventures of Superman #612-623: what do these three works have in common besides the fact that Joe wrote (or co-wrote) them?

The main idea that seems to run through them all is evolution. Mr. Majestic evolves, the X-Men are products of evolution and Superman evolves beyond his traditonal self. But, that excludes a lot of stuff, I think. The Majestic evolution only happens at the end, the X-Men don't actually evolve during their run and Superman's evolution is subtle and mostly ignored.

Are they all failures in the sense that each had little or no lasting impact? Despite the fact that I find Mr. Majestic and Adventures of Superman to be fantastic reads, are they both just as flawed as Uncanny X-Men? Obviously, they're more entertaining, but artistically--or is Uncanny X-Men the artistic masterpiece, while the other two are fluff entertainment?

Whatever, I still consider making Superman a pacifist to be one of the most forward-thinking, revolutionary things done in comics in the past decade. At least in the mainstream. The fact that it didn't last beyond those twelve issues is a shame and shows just how fucking spineless the company, editors and creators are. A real chance to move the character forward and seek new challenges thrown away because SUPERMAN MUST HIT THINGS! DERRR!

And Mr. Majestic put back as that fucking Superman rip-off when stories of him on that cosmic guardian level would have been fifty times more interesting.

Nothing from Uncanny X-Men was ignored that should have been used. Maybe pushing Chamber's telepathy a bit, but otherwise, nothing of note.

Maybe the only thing they have in common is Casey.

Blogathon 44: Adventures of Superman #623

In the final issue of the 2003 run of Adventures of Superman, Superman takes Lois around the world and tells her a few stories of his adventures. The details don't matter, all are goofy, but all also involve something happening and Superman using the symptoms of the problem as a way to find the source.

As well, he's struggling with the conflict between being Superman and being a good husband. He claims that he wants Lois more than anything, but at the end, he drops her off and flies away. It's ambiguous what it means because he has to fly away or expose his identity. But, the way Lois says bye also hints that it's the end of their relationship.

Wanting Lois is selfish of Superman, especially when it puts his role as guardian and protector of the planet at risk. If there's tension there, will he be able to do his job as well?

In a sense, the end of this issue mirrors the end of Mr. Majestic as both characters give up their old lives for a greater good. That is, if you choose to read this as Lois and Superman splitting up. The goodbye could also represent Casey and Aucoin saying goodbye.

There's an odd bit at the end where we get three panels of a fireman, an EMT and a doctor all doing their jobs in black-and-white (well, blue/grey-and-white), but with red Superman S symbols somewhere on them. Superman does say that everyone who does their best to make the world better is like him, but this always struck me as kind of lame.

This issue has me puzzled, honestly, which I think is the goal. It's obviously meant to have various readings or it would be clearer. Now, obviously Lois and Clark didn't split up, but they could have here anyway. The end of Casey's run on the book, it can end that way, especially these days where creators are more important to some (like me) than characters. I didn't read the next issue of the series, because Casey left the book. I've read one issue of Superman since then and that was a Kurt Busiek issue this past fall to review (oh, and I see the "One Year Later" story since I got it in trade--and Azzarello's run in trade). For all intents and purposes, this was the end of my Superman experience in a way, so why not read it as Superman choosing Superman over Lois?

In 30 minutes, I'll try and tie the three books I looked at today together. I'll probably fail.

Blogathon 43: Adventures of Superman #622

Superman and Minuteman fight against the Anti-Angelica, the weird things from another dimension who have turned all of the kids under five into bugs so they can mate or something.

The origin of Minuteman: New Age bullshit!

I'm pretty sure Superman attempts violence, but is prevented when the Anti-Angelica trap him in a bubble.

That is until one of the children turns six and returns to normal, fucking everything up for the Anti-Angelica. Which gets Casey rolling with Minuteman singing "Birthday" by the Beatles and Superman breaking free to say, "There. We now return to our regularly scheduled adventure, already in progress..."

Then Minuteman fucks up by lifting up his shirt, which opens a gateway to sent the Anti-Angelica back to their dimension, except he doesn't actually look first and zaps Superman, too.

The other dimension is in cool negative and the Anti-Angelica tell us that they can't breed in their dimension, so they go to Superman's and now that they're home, they're so going to beat on Supes. Except Superman can open their transdimensional gateway because he's married. On his way back, he crosses paths with Minute man who is going to stand guard and protect the DCU from the Anti-Angelica.

At the end of the issue, Clark tells Lois that they need to talk. That's never good.

Because Superman is protector, you would assume he would stand guard at the dimensional gateway, but Superman guards humanity on a larger level. Minuteman, being a minor superhero, is "given" the task. He aspires to be Superman, in a way, so he performs a similar function as Superman, but on a smaller scale. Because Superman guards also through inspiration, not just action.

In 30 minutes, we conclude our look at Adventures of Superman.

Blogathon 42: Adventures of Superman #621

Some dude beats the shit out of Copperhead.

Jimmy Olsen trashes President Luthor.

Every child under five in Metropolis turns into a bug.

Superman meets Minuteman.

Superman realises Minuteman is the new mail guy at the Daily Planet.

Beings from another dimension are responsible for turning the kids into bugs because they need them to be like that so they can have their honeymoon in this reality.

That's this issue. Minuteman is the typical "lone hero trained for some crisis that will happen." Superman is out of his element. The Jimmy scene just seems like veiled criticism of the Bush government.

Superman here is the guardian. He guards the children, he guards the idea of being a superhero, he guards the superhero. He watches over everyone.

Cool scene where the kid-bugs crawl all over Superman. These are bugs the size of kids. Giant slug-like ones.

Nice moment when Superman confronts Minuteman in his secret identity and comments about how Minuteman has the personality schism down. No one would ever suspect mild-mannered what's his name is Minuteman. Although, his secret identity is basically Clark Kent, just he works in the mailroom. Same deal, though.

Blogathon 41: Adventures of Superman #620

Derec Aucoin does something interesting with the art in this issue: he leaves a white space around the entire border of every page and then, in most cases, even leaves a white border inside that border as well. Makes the whole issue stand out.

The story is basic: Superman stops a creature from eating the sun after trying to warn the Candidate about the assassination attempt. Lois attends an event where Assassin Lad shows up and tries to kill the Candidate. The Candidate seems determined to die while everyone else does their best to save him. Eventually, Superman returns and Assassin Lad reveals he set the sun-eater loose to distract Superman and then blows himself up.

The Candidate hired Assassin Lad himself, viewing assassination as the apex of his political career, where he would be transformed from just another guy on the stump into a legend.

Again, Superman is life here. He tries to warn the Candidate about the assassination attempt. He defeats the sun-eater and then heats up the earth because of loss of the sun's warmth while the sun-eater was feeding. And then he stops Assassin Lad, a killer. Every action he does in this issue is in the service of life.

I'll miss Assassin Lad. I loved that guy.

Blogathon 40: Adventures of Superman #619

And so we begin the final ten posts of Blogathon. Five issues left of Adventures of Superman to discuss and then I don't know. We'll see what happens, I guess.

There's a new guy running for president and he's simply called "The Candidate." He doesn't do press and his rallies are more like rock concerts, but his popularity growing. So, Lois and Clark are in a good ol' fashioned race to the story.

Except Lois does have the advantage in that all she has to do is her job, while Clark has to fly to Egypt and defeat the Hand of Osiris through sheer force of will. In this issue, Superman is the personification of life (which makes pacifism fit more).

Best line of the issue said by a drunk journalist to Lois and Clark: "Married journalists on the campaign trail, competing for a story... We're betting which'll come first... the election or the divorce."

Lois later sneaks in to the Candidate's HQ, steals his campaign manager's blackberry and has a hacker hack into it where they discover that someone has put a contract out on the Candidate.

Which brings us to the greatest character ever: Assassin Lad. He shows up with the Bad News Bible in some spacebar and he has landed on earth. Rock and roll. Seriously, Assassin Lad. I love it.

Blogathon 39: Adventures of Superman #618

Four am . . . where has the time gone?

When last we checked in on the man of tomorrow, the Mxy twins had taken away the earth's gravity. How will Superman save the day?

By having the Green Lanterns help hold the planet together while he takes a white dwarf star to the centre of the planet and heats and cools it so it contracts, producting a temporary solution. Then he buys a set of encyclopdias and the Mxy twins return everything to normal, promising that next time, they won't hit the reset button.

An action-packed issue as Superman races against time to make sure the planet dosn't fall apart. A great moment is where Casey ties up a loose end from a year or so previous by having the Mxy twins retcon it. More of that metafictional stuff Casey likes.

The question is: who is Superman in this story? Actually, I think these two issues are the weakest of the 12 because there is no clear idea of who Superman is. He doesn't represent anything here. He's faced with an enemy he can't hit, so his pacifism is not an issue. If anything, this is the most "classic" Superman story of this run as Supeman faces his old enemy who he always defeated in a battle of wits. Nothing's changed except the stakes are raised.

In a way, it's a story that reassures readers that Superman didn't always use his fists. Against Mr. Mxyzptlk, he was always a pacifist essentially because of the nature of the villain. This story shows that Superman's evolution is in line with his tradition, at least in part.

Shit, I talked myself into liking these issues more. I love it when that happens. That's what happens when you just wing it, I guess.

Blogathon 38: Adventures of Superman #617

After last issue's groundbreaking revelation, where does Casey go?

He brings us the Mxy twins, the newest incarnation of Mr. Mxyzptlk and their quest to sell encyclopedias. When we meet them, they're trying to get Perry White to buy a set. At the same time, Superman saves the world from colliding with the ghost of a parallel earth. That's big action right there.

Apparently, the Mxy twins tried to sell encyclopedias all over the world and universe before getting to Perry. When he tells them to get lost, they fuck up his brain and he winds up in the hospital.

The Mxy twins show up at Lois and Clark's apartment and the four have dinner under the sea or something. Superman shows them that he's not defenceless against them. As a result, they take away earth's gravity.

Superman chooses to fight the Mxy twins with his brain. When they telepathically assault him, he turns it around on them. He tries to discuss things with them, but that doesn't work.

I'm actually having a hard time figuring out what Casey's goal with the Mxy twins is. Why twins? Why sell encyclopedias? Is it meant to just be absurd?

My favourite part of the issue is how on the first page, it gives the location of Metropolis, but then in brackets says "Where else?"

Charlie Adlard's art is decent, but just isn't suited to this title. He tells the story well enough, I just miss Derec Aucoin's work.

Blogathon 37: Adventures of Superman #616

Okay, first the plot stuff: Kid Scout brings Ben Conrad who begins to write a new final chapter of the book on the typewriter he used to write the novel back in 1960. Superman confronts the Hollow Men, allowing them to attack him again, hoping that he can beat their hopelessness with his idealism.

The experience is, well, pretty bad. All of the colour is drained from him. We see him on a farm with Lois, just sitting on the porch, never doing anything because why bother. And then he's chained to a table as Lex Luthor cuts him open, Lois as Luthor's sexy nurse. But, Lois is the key as she is what inspires Superman. He manages to break the Hollow Men's assault, returning everyone they've attacked to normal and leaving them empty ghosts. Conrad finishes the chapter and the Hollow Men are destroyed.

The issue ends with the phrase "This is the way the world begins," echoing the introduction of the Hollow Men in 612.

But, this issue has Superman say something monumental: "No violence. I won't resort to that. I'm a pacifist, Dr. Welbourne."

Superman is a pacifist in these twelve issues. He doesn't throw a single punch. He uses his will and his brain to overcome the challenges he must face.

Now, Superman as a pacifist goes against almost 70 years of history. He's Superman! He punches out the bad guys to save the day, but Casey takes a 21st-century to the next logical step: if he is the representative of hope and life and goodness, how can he raise his fists in anger? How can he physically assault another being? How can he inspire humanity to rise above its violent nature when he won't?

Casey said in interviews that he regrets having Superman say this explicitly, that it was going too far. He could have had Superman be a pacifist without saying it and no one would have noticed, but the point is to draw attention to it.

Superman is a pacifist.

My god, the enormity of that idea--it's probably the biggest leap forward for the character in decades. A leap that doesn't just challenge the character, but the creators and the fans. Could people read a comic where Superman doesn't hit anything?

Some people were upset by the idea of Superman as a pacifist, arguing that it goes against the character and so on. It just seems like the logical progression of the character to me. In 612, Casey had Superman confront what is basically the Golden Age version of himself, a version whose first instinct is violence, who is hand's on, who is old-fashioned.

Casey's Superman is a 21st-century thinker, someone who is not burdened by antiquated conceptions of masculinity or heroism. A child's first instinct is to hit, but Superman must be above that. He has to be the most mature and advanced being on the planet, the man of tomorrow, a harbinger of humanity's potential.

Joe Casey made Superman relevant.

Blogathon 36: Adventures of Superman #615

You know what, I haven't thanked my sponsors yet. So, thank you, Matt "Doc" Martin, mom and Melissa for pledging a total of $40. You are giving what you can and I really appreciate it. Forty bucks is fantastic as far as I'm concerned as it's forty dollars more than the Alzheimer Society of Canada would have got otherwise.

Superman is consulting with the doctor in charge of treating the heroes who have fallen at the hands of the Hollow Men when a child in costume is rushed in and Superman recognises him from Heroville.

Cut to: Heroville and completely drained heroes. Superman and scientists arrive, ready to help. Superman finds Dr. Camel in the middle of town, in a costume and using some sort of energy gun to keep the Hollow Men at bay. But, Superman makes the mistake of landing in the middle of it all and the Hollow Men attack in a triangle formation. He screams/whispers/whimpers "No hope... Pointless... Why aspire to--?" before Camel rescues him using the energy gun.

Superman, still shaken from the experience decides to stay and stop the Hollow Men, first by finding the only other normal superhero in Heroville, a young boy called Kid Scout.

After rescuing Kid Scout, we get a flashback about how Ben Conrad wrote the book. It was a response to the government banning superheroes and he had to include his next three non-fiction books in the deal. It received middling reviews and low sales. Clark read it in high school after a teacher showed it to him. He connects the book and the incident with the mystery strongman from issue 612 and sends Kid Scout to find Conrad and bring him here so he can destroy his creations.

We don't get a complete picture of who Superman is here because this is a two-part story (well, really it's parts four and five of a story, but the other issues stood on their own, for the most part) and we've only got half the picture. But, he's the guy who draws the line in the sand. He doesn't give up and he knows good will triumph over evil. Hope will beat hopelessness.

In 30 minutes, the issue that changed everything. Casey has Superman say something that is brilliant and goes against everything we know.

Blogathon 35: Adventures of Superman #614

A family discovers a portal in the basement of a house they just moved into. The portal leads to a town where everyone is a superhero, straight up Silver Age style. President Luthor sent in a team that never came out, so Superman investigates. It turns out the town was a programme begun post-WW2, but went underground because of the senat hearings in the late '50s. The scientist in charge destroyed all of the evidence and is the town doctor. Superman gets the agents out of the town and promises that it will be left alone. At the end, the Hollow Men arrive outside of the house that contains the entrance to the tesseract where Heroville is.

A seemingly done-in-one that has a lot of cool moments. Like Batman waking Superman up with a holographic projection and learning that Luthor does the same thing as he knows Supes' secret identity. You want to understand the difference between Superman and Batman?

Superman (about Luthor): He hates me. I don't hate him.

Batman: I'll pretend I didn't hear that.

Batman totally called Superman a pussy.

The Heroville stuff is great as the citizens all discuss superhero stuff the way we discuss the weather. Like one guy saying how he's thinking of cutting his hair short so his skull-cap fits better. Or a woman asking if Superman's cape is 100% cotton.

Or how the doctor's wife reacts to the government agents in their armour: she's terrified of them in that black, plastic-looking, bug-like shit. So, they have to dress up in costumes.

Or how the portal back to the regular world is in an abandoned porn shop because no one will ever go in there.

Superman here is the bridge between the old and the new. He has the ability to be Silver Age and modern at the same time. He tells the agents when walking (Abbey Road style) down the street in costume, "Hold your heads high, people. Wear your colours proudly." He understands an ironic, postmodern world, he just doesn't think like he's a part of one.

In 30 minutes, the Hollow Men invade Heroville and Superman learns what it is to feel no hope.

Blogathon 34: Adventures of Superman #613

I forgot to mention Casey's artist for this run, Derec Aucoin. He does the art for ten of the issues (Charlie Adlard does the other two) and he nails it. He's got a good eye for detail and realism, but also knows when to just use simple lines. If Toby Cypress on Mr. Majestic was a darker, sketchier Eric Cante, then Aucoin is a darker version of Ed McGuinness. I'm horrible at describing art. Trust me, when the run by Casey and Aucoin ended, I was looking through every solicitation to see his name pop up. He should be a superstar.

Now, this issue is a fun one. It has another little bit about the superheroes being drained of all colour and life, but mostly it deals with Lois Lane handling Funky Flashman, the former manager of Mister Miracle. He just opened up a store selling Superman merchandise since in the DCU, Superman's image is public domain--or, he figures Superman won't do anything about it. This then expands to all of the superheroes, but then Lois hints at him to also include supervillain merchandise, which causes Captain Cold to pay Flashman a visit.

There's also a subplot about Lois and Clark, including them re-enacting the first Superman/Lois interview. The issue ends with them spending Valentine's Day together in bed sleeping, which is a rare treat.

A nice little story. It's interesting to see how even when other heroes' merchandise is sold that Superman outsells everything else. Superman is the hero, even to the general public. Flashman makes a strangely convincing argument that selling this stuff is a good thing because it helps people feel closer to Superman, a man they owe their lives to several times over. Of course, that's just a justification for his own greed, but it's a solid point nonetheless.

In 30 minutes . . . welcome to Heroville, population: you!

Blogathon 33: Adventures of Superman #612

I've been a fan of Joe Casey's work since Cable #51. I was reading the book when he took over and, man, he did some great work there. My subscription ran out before he and Ladronn finished their run, so I should probably complete it sometime, eh? Ever since then, I'll usually give whatever he does a look.

It took until issue 612 of Adventures of Superman to check out his run. He had been working on the title since issue 587. It took this cover by Kevin Nowlan to make me pick up the book:



How can you not pick up a book with a cover like that?

Little did I know at the time that it would begin a twelve-issue run that would have me telling anyone I could to buy Adventures of Superman because it's just that damn good. Hell, in his interview for Astonishing X-Men: Second Stage, Warren Ellis mentions Casey's final year on the book briefly (which made me wonder about Ellis reading it--I assume if he did, it was research, quite possibly for his JLA Classified story or maybe he just heard about) because it did something very interesting, but I'll get to that when it actually comes up.

For now, #612 . . .

The issue begin narration about a hero called Major Victory whose house has been trashed and we find him curled up in bed, his entire body drained of colour. Outside, three similarly white men stand. We are told "THEY ARE THE HOLLOW MEN. AND THIS IS THE WAY THE WORLD ENDS."

Cut to: a prisoner being prepped for execution, he insists he's innocent and then the wall is smashed in and there stands a man in a red cape with a red S in a triangle on his chest. He tells them that they've got the wrong man. We never see this man completely, but his outfit is blue, his hair is dark and cut short, and he's got the real murderer, a signed confession and the governor. He's saved an innocent man.

Clark Kent attends a lecture by Ben Conrad, an elderly man who was a journalist and apparently inspired Clark to be one as well. Conrad is writing a new novel, his first since 1960 and it's called "Champion of the Oppressed."

Our mystery stongman prevents a man from beating his wife. He stops the police from beating protestors. Conrad seems somber about the news, but also righteous in a way until he gets a visit from Clark who is told that Superman is the inspiration for the novel, but a version of Superman that fights for the everyman, who doesn't wrestle with aliens and take meetings on the moon. Someone who'll protect the little folks.

And our mystery strongman appears from the sky, attacking police officers who are brutally abusing a man in handcuffs. This is spliced with Clark and Conrad as Clark tells him he has to do something about the situation before it goes beyond his control.

Th army gets involved and so does Superman, who kicks up a cloud of dust just as Conrad deletes his manuscript and his strongman disappears. He tries to tell Superman that he has to fight against the injustice, to make the world better and Superman tells him that their job is to inspire, not judge them.

The issue ends with Conrad accepting that he can't write fiction, but we get a look at the cover of his first book: "The Hollow Men."

Now, if this issue isn't a giant statement on modern superheroes, specifically Superman, I don't know what is. The wonderful pun title, "Authorised" invokes Ben Conrad's abilities, but also the Authority. The way Superman originally acted is very much in line with how the Authority acts. In a way, Casey reminds readers that what those character do is nothing new, Superman did it first, but he also moved beyond those types of actions and took a more mature, long-term view to how he deals with the world. Now, I don't necessarily agree with that methodology, but Casey prevents it in a convincing manner, especially when the two are juxtaposed.

This is just the beginning of Casey exploring what Superman means at the beginning of the 21st century. What role does this hero from the 1930s have in the modern world? The answers may surprise you; they sure as hell surprised me.