I recently reviewed Abe Sapien: The Abyssal Plain #1 for CBR and, in the process, wrote the following sentences: "Above the water, Stewart uses a lot of drab blues and grays to work with the dreary Norwegian Sea setting, making the more vibrant blue of the underwater scenes stand out more and, especially, making the brief flashes of the story of Melchiorre just leap off the page with bright red backgrounds. Stewart doesn’t use a wide range of colors, but he does so to maximum effect, making sure that Snejbjerg’s art is more noticeable and clear as a result."
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SILENCE! #317 SILENCE! To Astonish! 2024
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