I recently reviewed Spaceman #1 for CBR and, in the process, wrote the following sentences: "Spaceman is a story of the future. If you’re familiar with Azzarello’s writing and Risso’s art, you’ll know immediately that this is not a bright and shiny utopia future. It’s dirty and nasty, pretty much the worst of the present. Orson is a man genetically engineered to function in space, except there isn’t a space program anymore and he’s not exactly fit for life on Earth. Superficially dim-witted and looking like the missing link, he salvages and buys drugs off kids. Much of this issue is an introduction -- a feeling out process -- for this future and exactly what it’s like, with the plot taking a backseat to a degree."
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