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A writer named Claremont marked an X Signifying hatred and violence and sex His influence spread What came next inbred It is the ine...

In the name of Claremont will you mutant me up that comicbook, Shall I doodle cave-phantoms? We, ah, reach that awkward point in this im...

O O O O that Claremontean Rag— It’s so uncanny So x-treme We, ah, reach that awkward point in this improvisation where I admit that th...

“Ahhhh, Poptopia ... I remember being more jazzed about the story titles than I was about the actual story , as it ultimately played out.” ...

But, you know, let’s talk about those final two pages of Uncanny X-Men #394, because they’ve kinda been bugging me. To set the scene: his p...

The real world values utility, does it not. And are not the X-Men creatures of utility. They are superheroes, after all. They may get dresse...

Generation X #75, the final issue of that series, was released the same month as Uncanny X-Men #394. A brief overlap for the end of the Co...

Uncanny X-Men #395 is about showing the intersection of the ‘real world’ and what it means to be a mutant within the context of being outsi...

A thought exercise (that I’m not sure I’m capable of) Imagine: You are a brand new superhero comicbook reader. It is 2001. You saw X-Men ...

Unreal City Under the brown fog of a winter noon An area of Uncanny X-Men #394 that I’ve been pondering well before I ever conceived of...

Thor comics aren’t usually overtly political. Despite a central location being a kingdom, even when war is made, it’s usually plot-driven an...

Unreal City, Under the brown fog of a winter dawn Now that we’re into Uncanny X-Men #394 proper and have settled on the reasoning for e...

Why does Joe Casey decide on these four X-Men in Uncanny X-Men #394? Cyclops, Jean Grey, and Wolverine are actually pretty obvious. Aside f...

In Uncanny X-Men 394, Joe Casey’s dive into “interpersonal soap opera,” as he’d later describe it, uses what would be a key point of Grant ...