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Uncanny X-Men #395 is about showing the intersection of the ‘real world’ and what it means to be a mutant within the context of being outsi...

A thought exercise (that I’m not sure I’m capable of) Imagine: You are a brand new superhero comicbook reader. It is 2001. You saw X-Men ...

Unreal City Under the brown fog of a winter noon An area of Uncanny X-Men #394 that I’ve been pondering well before I ever conceived of...

Thor comics aren’t usually overtly political. Despite a central location being a kingdom, even when war is made, it’s usually plot-driven an...

Unreal City, Under the brown fog of a winter dawn Now that we’re into Uncanny X-Men #394 proper and have settled on the reasoning for e...

Why does Joe Casey decide on these four X-Men in Uncanny X-Men #394? Cyclops, Jean Grey, and Wolverine are actually pretty obvious. Aside f...

In Uncanny X-Men 394, Joe Casey’s dive into “interpersonal soap opera,” as he’d later describe it, uses what would be a key point of Grant ...

The cover of Uncanny X-Men #394 is the most memorable aspect of the issue, Joe Casey was right about that. As I said yesterday, it owes mor...

“THEY RUN THESE STORIES EVERY FEW WEEKS. JUST A NEW WAY OF SAYING THE SAME OLD THING.” After “SOME THING NEVER CHANGE,” this is, perhaps, th...

The X-Men #1 introduces both the X-Men and Magneto, spending more time on the latter than the former, understandably. As the eponymous star...

Uncanny X-Men #394 is an X-Men comic about X-Men comics. When I was a grad student, I had a creative writing professor that was all about a...

As nearly two-and-a-half decades have passed since the release of Uncanny X-Men #394, the events surrounding its release matter, though mos...

Uncanny X-Men #394 came just over a year after Chris Claremont’s full time return to the X-Men franchise. It’s heavily rumoured that he had...